![]() Seasick Steve’s eighth album features his usual thematic portfolio of songs about wanderlust and love treated with a broader palette of styles: so although “Gypsy Blood” and “Grass Is Greener” both deal with itchy feet, the former is a feisty, slashing slide-guitar blues, while the latter takes the form of a country hoedown. Seasick Steve, Keepin’ The Horse Between Me And The Groundĭownload this: Shipwreck Love Bullseye Gypsy Blood Most have doubts about the course of their life, though even the relatively positive Gemma, in “Ketamine For Breakfast”, finds it hard to get ahead: “My future is bright, but my past is killing me”. ![]() Set as before to scudding dubclash electronics and beats that capture the city’s addictive edginess, Tempest’s character vignettes come from obvious empathy with the likes of the PR guy in “Pictures On A Screen”, who feels like a passenger in his own life the carer in “Europe Is Lost” struggling to resist the “top-down violence” through which politicians control the poor and the raver in “Whoops” suffering insomniac drug psychosis (“I’m lying in my bed, and my brain is eating my head”). It’s another concept album, this time focussing on seven disparate lonely London neighbours, variously trapped by the capital’s grubby degradations, and all unable to sleep in the wee small hours as they contemplate their lives. Kate Tempest’s follow-up to the dazzling Everybody Down is similarly ambitious in scope, fired by the same compassion and delivered with the same level of energised loquacity.
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